Skip to content
  • About
  • Contact
  • Links
  • Submission Guidelines
FUSION
  • Art
    • Mixed Media
    • Painting
    • Photography
  • Prose
    • Creative Nonfiction
    • Essays
    • Fiction
    • Philosophy
    • Reviews
  • Music
  • Poetry
  • Film
    • Drama and Film
    • Video
  • Guest Artists
  • Features
    • Collections
    • Berklee Teachers on Teaching
    • Contests
  • More
    • The Garden@FUSION
      • Visual Art
      • Poetry from The Garden
    • Archives
      • Volume 4
        • Berklee Community
        • Featured Writers
        • Download the Issue
      • Volume 3
        • Featured Artists
        • Featured Writers
        • Drama
        • Download Volume 3
      • In memoriam, Henry Augustine Tate
      • Slam Poetry
    • Events
      • Event Videos
      • Listings
    • Celtic FUSION
      • Celtic FUSION: The Scottish Feature
      • Celtic FUSION 2012
      • Celtic FUSION 2013
      • Celtic FUSION 2014
    • Interviews
    • Columns
      • Alex Hicks
      • Linnéa Lundgren
      • Paola Serna
      • Seph Hamilton
      • Stephanie Welton
      • Zev Burrows: Film Talk
Main Menu
  • Interview with Caroline Shaw

    Paula Coria

  • Interview with Caroline Shaw

    Paula Coria

  • Interview with Caroline Shaw

    Paula Coria

  • Interview with Caroline Shaw

    Paula Coria

Prose

Allowed to Love Loudly and Other Creative Nonfiction

Part 1

“Ten Years Beneath A Lamp”
David Hu
 
“Allowed to Love Loudly”
Frankie Molfese
 
“Sound as Identity”
Leonardo Riccardo
 
“The Parts of Her That Remained”
Durry Adan

Erasure

Jennifer Andrews

Liberating Aesthetics: Recapturing the Joy of Art: what I taught over 25 years at Berklee

Wayne Wild

Dottie’s and the Rabbit

Tyler R. Jenkins

The Realities of a Young Woman Immigrating to America

Tiffany Columna

“A Dancer’s Becoming” and Other Creative Nonfiction

Star Power

Creative Nonfiction by Jack Scaife-Elliott

Where Am I

Creative Nonfiction by Lisa Luckenbach

A World Through Her Eyes

Creative Nonfiction by Ailin Ledwidge

Music

Interview with Vadim Neselovskyi

Paula Coria

Blending contemporary classical music with jazz improvisations, the Ukrainian composer and pianist, Vadim Neselovskyi, talks to us about his new album Perseverantia.
 

It is an eleven-movement suite for piano and string trio inspired by the resilience and “perseverance” found in war and in human effort and struggle. We also explore the origins of this beautiful project, discuss the relationship between composition and improvisation in the piece, and reflect on the important role that music and art play in times of crisis.

Interview of Jazz Saxophonist Jerry Bergonzi

Gustavo Agatiello

The Superpower of Conducting: Women Rise to the Podium

Anna Rakitina, Assistant Conductor, Boston Symphony Orchestra

Scanzonati: Italian Songwriting Reimagined Through the Language of Jazz and Improvisation.

Andrea Pejrolo and Stefano Marchese

Berklee Alumni Column #7: Sophie Molkenthin

Joely Cromack-Kluko

A Notion

Shwesmo (Yoel Genin) and Sharon Renold

Teaching Max/MSP in Higher Music Education: Programming as Creative Thinking, Practice, and Pedagogical Strategy

Marta Verde

Berklee Alumni Column #6: Andrew L. Lucas

Joely Cromack-Kluko

Berklee Alumni Column #5: Paulina Romano

Joely Cromack-Kluko

Poetry

“The Poetry of Judson Evans: A Retrospective”

Judson Evans

Economies of Scale

It never completely dries ─ the indelible, infinitesimal ink stains bonding
sweat and bacteria, perfume, cocaine, green webs and autographs, eyes and
pyramids to the palms of our hands….
 
Once looking out a subway window, I saw a man fumble his gorged wallet
and lose to a gust of wind a flurry of bills. The recovery on the platform
was choreography for grey suited soloist and core of bystanders
who seemed to radiate and draw to his center like a swirl of metal filings
. . .
 
 
Window Washer

It’s the job I’ve always wanted─ ladder and chamois,
buckets and blades, high above the Monday morning
traffic. Before I found this niche, or aerie, I suffered the
belatedness of cities, dreams already sub-let, area codes
exhausted, every inch pre-strung with webs of wires and
clotheslines.
. . .

String Quartet, poems, an ebook from FUSION Magazine Press

Pat Pattison

At Hopper’s Gas Station, Truro

Daniel Picker

man v bear and other poems

Stephanie Elliot

“Stars at Home” and Other Poems

Joey Dalton

The Human Condition and 7 Other Poems

From “Writing Poetry 2,” with Pat Pattison

2023 Pulitzer Prize Winner, Carl Phillips: Two New Poems, exclusive to FUSION

“The Autobiography of Frogs” and Other Poems

Duy Đoàn, winner of the Yale Series of Younger Poets Prize for We Play a Game

Modernist Poems

from “Liberating Aesthetics” course, Wayne Wild

Film

Transcendental Horror and the Future of the Genre

Tyler R. Jenkins

Freud describes the nature of horror as un-homelike; unheimlich. When one’s idea of safety is subverted, the effects of horror set in. All horror films strive to achieve this to an extent, whether it’s a killer stalking the protagonist, or a monster …

Black Lives Matter: What Would It Cost Us to Weep with Those Who Weep?

Ricky Staub & Aaron St. Jean

Vinyasa for Two & The Waiting Room: 2 Plays by Naomi Leites

The First Assistant Director: Communicator-in-Chief on a Movie Set

Hristo Dimitrov

A New Lens on Old Film: A Twenty-Something’s Angle on Art House Cinema

Isabella Komodromos

Art

Berklee Art History Professor Ross Bresler and Vice Provost Robert Lagueux Present:

“Woven in Blood: The Story of the Bayeux Tapestry, the Most Famous Cloth in the World: A Collaboration Between Liberal Arts & Sciences and Academic Affairs”

 

Treading on the Post-Colonial Road

Rekha Menon

The Art of Mali Olatunji: Painterly Photography from Antigua and Barbuda

by Mali Olatunji and Paget Henry

At Play: New Photographs

by David Hollender

Pastoral Mosaics: Journeys Through Landscapes Rural

Brian Michael Barbeito

The Garden@FUSION

SPACE // PLACE

an anthology by THE GARDEN @ FUSION

Visual Art

Features

Landscapes in the Time of Covid

Students of Professor Wayne Wild

Against The Odds: an Exploration of Bulgarian Rhythms

Vessela Stoyanova

New Faculty Fiction

BTOT

Against The Odds: an Exploration of Bulgarian Rhythms

Vessela Stoyanova

Capturing Berklee’s Stories: The Berklee Oral History Project

Sofía Becerra-Licha, Archivist, Berklee Archives

Exploring New Teaching Techniques with Case Studies

Alexandre Perrin (Valencia)

Interviews

FUSION Meets the Fuze

An Interview with David Fiuczynski

Interview with Silvina Moreno

Meaning Through Music: An Interview With William Ross

Michael Hazani

Events

A Faculty Dinner, Reading, & Conversation with Brian Turner

An Evening of Poetry & Music

with Sara Pirkle Hughes, Neil Olmstead, and Ana Guigui

Photos from Celtic FUSION – Am Fuaran

A Celebration of the Music of Scotland

Reviews

Student Book Reviews from Prof Beth Denisch’s class: Music, Gender and Society

Beneath the Skin of “Under the Skin”

Taylor Page

Kairos by Mateus Starling

A review by Erin Thomas

FUSION, Berklee’s global arts magazine, publishes writing in all genres, photography, video, and music by students, faculty, staff, and alumni from across the U.S. and our international communities. We feature distinguished guest artists, including three U.S. Poet Laureates, a U.K. Poet Laureate, National Book Award finalists, and writers whose awards include NEA, NEH, Guggenheim, and MacArthur fellowships, a PEN Award, and the Pulitzer Prize.